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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">politscience</journal-id><journal-title-group><journal-title xml:lang="ru">Политическая наука</journal-title><trans-title-group xml:lang="en"><trans-title>Political science</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">1998-1775</issn><publisher><publisher-name>ИНИОН РАН</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.31249/poln/2025.02.06</article-id><article-id custom-type="elpub" pub-id-type="custom">politscience-1170</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ИДЕИ И ПРАКТИКА</subject></subj-group></article-categories><title-group><article-title>Воспроизводство мифа об американской исключительности в кинематографе на примере фильма «Падение империи» (Civil War, 2024)</article-title><trans-title-group xml:lang="en"><trans-title>Reproducing the myth of U.S. exceptionalism in cinematography: the case of civil war (2024)</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0003-1128-2106</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Павлов</surname><given-names>В. В.</given-names></name><name name-style="western" xml:lang="en"><surname>Pavlov</surname><given-names>V. V.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Павлов Владимир Владимирович, заместитель декана Факультета международных отношений, старший преподаватель Кафедры прикладного анализа международных проблем, научный сотрудник Института международных исследований</p><p>Москва</p></bio><bio xml:lang="en"><p>Pavlov Vladimir</p><p>Moscow</p></bio><email xlink:type="simple">v.pavlov@inno.mgimo.ru</email><xref ref-type="aff" rid="aff-1"/></contrib><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0009-0005-5023-8222</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Павлова</surname><given-names>А. В.</given-names></name><name name-style="western" xml:lang="en"><surname>Pavlova</surname><given-names>A. V.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Павлова Анастасия Вячеславовна, младший научный сотрудник, эксперт Института международных исследований, научный редактор журнала «Сравнительная политика»</p><p>Москва</p></bio><bio xml:lang="en"><p>Pavlova Anastasia</p><p>Moscow</p></bio><email xlink:type="simple">an.v.lodina@my.mgimo.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru">Московский государственный институт международных отношений (университет) Министерства иностранных дел Российской Федерации<country>Россия</country></aff><aff xml:lang="en">MGIMO University<country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2025</year></pub-date><pub-date pub-type="epub"><day>23</day><month>05</month><year>2025</year></pub-date><volume>0</volume><issue>2</issue><issue-title>Слова и символы как медиаторы в политике и политических исследованиях</issue-title><fpage>138</fpage><lpage>161</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Павлов В.В., Павлова А.В., 2025</copyright-statement><copyright-year>2025</copyright-year><copyright-holder xml:lang="ru">Павлов В.В., Павлова А.В.</copyright-holder><copyright-holder xml:lang="en">Pavlov V.V., Pavlova A.V.</copyright-holder><license license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.politnauka.ru/jour/article/view/1170">https://www.politnauka.ru/jour/article/view/1170</self-uri><abstract><p>Миф об американской исключительности хотя и подвергается критике и деконструкции, в том числе в академических кругах, по-прежнему продолжает играть важную роль в политических процессах в США, что делает актуальным выявление механизмов его воспроизводства. Настоящее исследование представляет собой попытку внести вклад в приращение научного знания в обозначенной проблемной области посредством ответа на вопрос о том, какие политические символы используются сегодня для поддержания этого мифа. Он, в частности, основывается на представлениях об американской государственности, американских ценностях и американском могуществе. Обращаясь к анализу кинематографа как форме публичного дискурса, авторы выбрали объектом исследования кинокартину «Падение империи» (Civil War). Центральное место в киноленте занимает крушение государственности и могущества США на фоне внутреннего вооруженного конфликта, что делает произведение ценным эмпирическим материалом. Авторы ставят перед собой задачу выявления символов, которые участвуют в воспроизводстве мифа об американской исключительности в рамках выбранного кейса. Теоретико-методологическую базу исследования составляет конструктивизм, основным прикладным методом выступает качественный контент-анализ. Проведенный анализ показал, что посредством демонстрации крушения символов американской государственности и основ экономической, ценностной и военно-политической мощи США транслируется мысль о неизбежности и необходимости поддержания веры в американскую исключительность; отказ от нее равнозначен концу самой нации в нынешнем виде.</p></abstract><trans-abstract xml:lang="en"><p>The myth of American exceptionalism, although criticized and deconstructed, including by academic circles, continues to play an important role in the U.S. political process, which makes it important to identify the mechanisms of its reproduction. The present study attempts to contribute to the discussion in this problem area by assessing what political symbols are used today to maintain the aforementioned myth. In particular, it is based on the beliefs concerning U.S. statehood, U.S. values and U.S. power. Turning to the analysis of cinema as a form of public discourse, the authors chose Civil War feature film as a case for the study. The film centers on the collapse of the U.S. statehood and power against the backdrop of an internal armed conflict, which makes the feature a valuable empirical material. The authors undertake the task of identifying the symbols that are involved in reproduction of the myth of U.S. exceptionalism within the selected case-study. The theoretical and methodological basis of the study is constructivism, and the main applied method is qualitative content-analysis. The study has shown that by demonstrating the collapse of the symbols of U.S. statehood and foundations of economic, value-based and military and political power of the United States, the idea of the inevitability and necessity of maintaining the belief in American exceptionalism is transmitted; its abandonment is equal to the end of the nation itself in its current form.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>контент-анализ</kwd><kwd>политический символ</kwd><kwd>«Падение империи»</kwd><kwd>США</kwd><kwd>американское могущество</kwd><kwd>государственность</kwd><kwd>американская исключительность</kwd></kwd-group><kwd-group xml:lang="en"><kwd>content analysis</kwd><kwd>political symbol</kwd><kwd>Civil War</kwd><kwd>USA</kwd><kwd>American power</kwd><kwd>statehood</kwd><kwd>American exceptionalism</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Баталов Э.Я. 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