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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">politscience</journal-id><journal-title-group><journal-title xml:lang="ru">Политическая наука</journal-title><trans-title-group xml:lang="en"><trans-title>Political science</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">1998-1775</issn><publisher><publisher-name>ИНИОН РАН</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.31249/poln/2018.03.13</article-id><article-id custom-type="elpub" pub-id-type="custom">politscience-652</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ПЕРВАЯ СТЕПЕНЬ</subject></subj-group></article-categories><title-group><article-title>Отражение политических и социальных процессов первой четверти XX в. в монументальной скульптуре в память о Первой мировой войне</article-title><trans-title-group xml:lang="en"><trans-title>Reflections of political and social processes of the first quarter of the 20th century in First World War memorials</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Ткач</surname><given-names>Дмитрий Николаевич</given-names></name><name name-style="western" xml:lang="en"><surname>Tkach</surname><given-names>D. .</given-names></name></name-alternatives><email xlink:type="simple">mitya_tkach@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru">Московский государственный институт международных отношений МИД России<country>Россия</country></aff><aff xml:lang="en">Moscow State Institute of International Relations of the Ministry of Foreign Affairs of Russia<country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2018</year></pub-date><pub-date pub-type="epub"><day>12</day><month>05</month><year>2023</year></pub-date><volume>0</volume><issue>3</issue><issue-title>Политика памяти</issue-title><fpage>257</fpage><lpage>268</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Ткач Д.Н., 2023</copyright-statement><copyright-year>2023</copyright-year><copyright-holder xml:lang="ru">Ткач Д.Н.</copyright-holder><copyright-holder xml:lang="en">Tkach D...</copyright-holder><license license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.politnauka.ru/jour/article/view/652">https://www.politnauka.ru/jour/article/view/652</self-uri><abstract><p>Первая мировая война повлекла за собой волну формирования национальных государств и придала новый импульс процессу демократизации. Эти социальные и политические трансформации прослеживаются в мемориальной скульптуре послевоенного периода, отражающей память человечества о первой четверти XX в. Постепенный отход от традиций имперскости и использование символов национальных государств в художественном наполнении памятников передают интенсификацию нациестроительства, а обращение к тематике подвига простого человека и отсылка к героике мира отображают очередной всплеск демократизации. В статье подчеркнута значимость функции мемориальных комплексов как объектов воспроизведения коллективной памяти.</p></abstract><trans-abstract xml:lang="en"><p>The First World War created a wave of nation-state building and gave a new impulse to the democratization process. The article shows how such social and political transformations have been are reflected in the memorials of the post-war period, representing people’s recollections of the events of the era. From the artistic perspective, gradual diversion from the imperial tradition and more national symbols in the design of the monuments demonstrate the intensification of nation-state building, while reference to the heroism of common people and to the attributes of peace represent yet another wave of democratization. The article stresses the importance of memorials in visualizing collective memory.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>Первая мировая война</kwd><kwd>нациестроительство</kwd><kwd>демократизация</kwd><kwd>военные мемориалы</kwd><kwd>коллективная память</kwd><kwd>the First World War</kwd><kwd>nation-building</kwd><kwd>democratization</kwd><kwd>war memorials</kwd><kwd>collective memory</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Комаров Д.Е. 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