Preview

Political science

Advanced search

Representation of traditional values in Russian popular culture: a case study of Russian cinema (2020–2024)

https://doi.org/10.31249/poln/2024.04.03

Abstract

The article examines the issue of the representation of values in contemporary Russian mass cinema. The study analyzes 10 films released in 2020–2024 with an emphasis on the value narratives that they convey to the audience and their correlation with the state policy related to the preservation and consolidation of traditional Russian values. The results of the study show that mass culture, through films, sensitively responds to the socio-political discourse dominating in society, and also recognizes the viewer’s request for a particular format. Most of the films presented in the study are either adaptations or interpretations of already created works (7 out of 10 films). Also, all films except one (“The Little Humpbacked Horse / Konek- Gorbunok”) were released in the last two years. As the study shows, most of the films studied present values that are, among other things, enshrined in the Presidential Decree of November 9, 2022, No. 809 “On Approval of the Fundamentals of State Policy for the Preservation and Strengthening of Traditional Russian Spiritual and Moral Values”: patriotism, humanism, self-sacrifice, collectivism and others. Particular emphasis is placed on family values, which are broadcast from different angles. It is also noted that mass cinema performs an important social function of entertainment and allows one to detach from everyday life, at least for a while.

About the Authors

D. V. Alekseev
RANEPA
Russian Federation

Alekseev Dmitry

Moscow



P. S. Kopylova
Financial University under the Government of the Russian Federation ; INION
Russian Federation

Kopylova Polina

Moscow



References

1. Agafonova N.A. General theory of cinema and basics of film analysis. Minsk: Theseus, 2008, 392 p. (In Russ.)

2. Baudrillard J. Consumer society. Moscow: AST, 2023, 384 p. (In Russ.)

3. Baudrillard J. Simulacrum and simulation. Moscow: Ripol-classic, 2018, 320 p. (In Russ.)

4. Bezemer J., Kress G. Multimodality, learning and communication: a social semiotic frame (1st edition). London: Routledge, 2015, 170 p. (In Russ.)

5. Bordwell, D. Narration in the fiction film. London: Routledge, 2013, 384 p.

6. Brockmeyer J., Harre R. Narrative: problems and promises of one alternative paradigm. Questions of philosophy. 2000, N 3, P. 29–42. (In Russ.)

7. Debord G. Society of the spectacle. Moscow: AST publishing house, 2024, 256 p. (In Russ.)

8. Deleuze J. Cinema. Moscow: Ad Marginem, 2024, 560 p. (In Russ.)

9. Griffin L. Narrative, event-structure analysis, and causal interpretation in historical sociology. The American journal of sociology. 1993, N 98 (5), P. 1094–1133.

10. Jamison F. Postmodernism, or the cultural logic of late capitalism. Moscow: Gaidar Institute Publishing House, 2019, 816 p. (In Russ.)

11. Kozhokaru T.I. On the methodology of film analysis. Articult. 2021, N 4 (44), P. 118– 148. (In Russ.)

12. Luhmann N. The reality of mass media. Moscow: Praxis, 2005, 256 p. (In Russ.)

13. Mishchenko A.N., Nakhimova E.A., Segal N.А. Linguistic representation of a Police- man (Based on the Materials of the 20th –21st Centuries). Political linguistics. 2022, N 3 (93), P. 39–48. (In Russ.)

14. Orestova В., Tkachenko D. The reflection of the needs of today’s young people through the film preferences and perceptions of superheroes in the conditions of transitivity. Psychological studies. 2018, N 11 (61). (In Russ.)

15. Ortega y Gasset J. The revolt of the masses. Moscow: AST, 2016, 256 p. (In Russ.)

16. Ortega y Gasset J. The smell of culture. Moscow: Algorithm, Eksmo, 2006, 384 p. (In Russ.)

17. Pavlov A. Shameful pleasure: Philosophical and socio-political interpretations of mass cinema. 2nd ed. Moscow: Publishing House of the National Research University Higher School of Economics, 2015, 360 p. (In Russ.)

18. Propp V. The morphology of a fairy tale. Moscow: Mann, Ivanov and Ferber, 2023, 608 p. (In Russ.)

19. Rapoport E. Logic of the series. Logos. 2013, Vol. 23, N 3, P. 21–36. (In Russ.)

20. Zizek S. The art of the funny sublime. About David Lynch's film Lost Highway. Moscow: Publishing House “Europe”, 2011, 168 p. (In Russ.)


Review

Views: 528


Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.


ISSN 1998-1775 (Print)